ZF Studio is a film production company based in Valencia, Spain. We make short fiction, brand and corporate films, and wedding films. We are based in Valencia, we shoot across Spain, and we travel abroad when a project calls for it.
We come from narrative fiction, and we bring that same sensibility to every commission: real preproduction, a crew that cares about light and sound, and an edit that treats the footage as a story rather than a record.
Short films and narrative work. Small stories, big truths. This is where our authorship is proven — one of our shorts won Best Actress at the Villanueva Showing Festival, and our work has travelled the festival circuit.
Corporate video and advertising treated as brand cinema: your company told as a story. Brand films, internal corporate pieces and advertising for companies in Valencia and across Spain.
Cinema for a day that won't happen twice. We look for the gestures nobody rehearses. We also cover sports events, club features and charity events.
«They captured what made our wedding special.»
«Watching the film was like living our day all over again.»
It all starts long before the camera is switched on. We listen, we plan and we shape every detail so the story flows naturally.
We shoot looking for what is real: the essence of the people and the place, not a staged version of them.
The edit turns moments into a story. Music, sound and colour grading finish giving the film an identity of its own.
Yes. We are based in Valencia and we shoot all over Spain: the Valencian Community, Murcia, Catalonia, Madrid and wherever else is needed. We also travel abroad when a project calls for it. Distance is never a reason for us to turn work down: travel is costed per project according to the mileage, the number of shooting days and whether overnight stays are needed, and it appears itemised in the quote from the start.
A wedding film tells a story using the tools of cinema, so the viewer feels again what they lived. A wedding video documents the important moments in chronological order and prioritises recording everything. In a conventional video the music accompanies the images; in a wedding film the music is part of the storytelling and shapes the viewer's emotion.
We don't work with fixed packages: no two weddings are alike, so the quote is built for each one. For reference, the least expensive job we have shot came to €600: a short piece, a single videographer, covering the ceremony and the reception. From there the price rises with the crew and equipment the shoot calls for, the hours of coverage and the length of the final piece. Corporate films follow the same logic: they depend on what needs telling and the resources it takes. Travel is costed separately for each project. After a first conversation we send you a firm quote with no obligation, itemising what it covers.
Yes. We call it a honeymoon film and it is the most recent format we have added: we join you for a few days of the trip and come back with a short piece, shot with the same eye as a wedding film. It works well when the journey has a landscape, a rhythm or an experience worth telling, and it works even better as a continuation of the wedding film: the same story, one chapter more. As it is a bespoke format, the approach and the quote are discussed case by case.
A wedding videographer usually works alone or in a pair, covering the day by recording what happens. A production company arrives with the crew split into roles — direction, camera, sound, edit — and with preproduction behind it: we talk to you first, decide what we want to tell and plan how to shoot it. We come from fiction, so we treat a wedding like a film: with a shooting plan, careful location sound and a final colour grade.
We listen: we get to know your brand, your objectives and the story you want to tell. We plan: we define the creative approach and organise the shoot. We shoot, always looking for what is natural and essential. We edit: we turn the footage into a piece with rhythm, identity and emotion.
Delivery of a wedding film starts at one month from the shoot, and from there it depends on the format and the time of year. Whatever the timeline, the date is set in writing in the contract before we start work: we don't give a rough estimate and then see how it goes. We prefer to take the time the story needs, say so from the start and stick to it.
We don't believe in assembly-line production. We get involved in every project from the first conversation to final delivery. We come from fiction, and we apply that same sensibility to documentary, weddings and corporate work.
Because we do nothing out of habit. We bring a fresh eye, real time to devote to you, and the need for every project to speak for us.
We'll find the best way to tell it. Write to us in English or Spanish — we read both.